John Clifford
Besides being a well-known choreographer and ballet-master for the George Balanchine Trust (in the late 1960's thru the 1980's, he was considered to be George Balanchine's protege, and "heir apparent") Mr. Clifford has been a most popular guest teacher for some of the world's leading companies, and dancers. He has given numerous classes for the Paris
Opera Ballet, The Bolshoi Ballet, The New York City Ballet, Les Ballets de Monte-Carlo, and Les Grands Ballets Canadiens de Montreal, and the ballet companies of La Scala, Rome, and Florence, and both the Deutche Opera Ballet, and Staatsoper Ballet in Berlin. He has also taught and choreographed for the Teatro Colon in Buenos Aires, and a young, 18 year-old, Julio Bocca was first featured in Clifford's works. Rudolph Nureyev, Evelyn Hart, Ghislaine Thesmar, and other luminaries have specifically invited Clifford to teach private classes for them. Damian Woetzel, formerly principal dancer with the NYC Ballet, was a student of Clifford's from age 15 until he joined the NYC Ballet, and often cites Clifford as his primary influence regarding the Balanchine technique.
This will be the first time Mr. Clifford will be teaching open classes.
Schedule
Adv/Int Ballet
10:30-12:00 (Monday-Friday)
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Class Description
Mr. Clifford's classes will emphasize the expansive movement quality, and sense of abandonement and joy that was evident not only in his own dancing career, but also in the examples set by Rudolph Nureyev, Jacques d'Amboise, Maya Plisetskaya, Vladimir Vasiliev, Melissa Hayden, Suzanne Farrell, Violette Verdy, Allegra Kent, and other leading stars from that period. Balanchine's favorite dancer was Fred Astaire, and he often used Mr. Astaire as an example of how he wanted his dancers to approach even the most classical of his ballets. Never abandoning the strictest adherence to the classical vocabulary, Mr. Clifford will stress the importance of DANCE over mere technical displays or dry academic correctness. He believes dance is a living art form.

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